Lucy Shelton/Soprano

Description: 
one soprano, no tenors
Composers: 
Gerald Chenoweth
Joseph Schwantner
Richard Wernick
William Doppmann
Performers: 
20th Century Consort
Lucy Shelton
Catalog Number: 
#606
Genre: 
new classical
Collection: 
solo voice
Location: 

Washington, DC

UPC: 
726708660628
Price: 
$15.00
Release Date: 
Apr 13, 2004
Liner Notes: 
View
Format: 
1 CD
Chenoweth: Candles - Doppmann: Spring Songs, etciTunes Artist's PageiTunes Album Page
Song TitleTimePrice
1.Sparrows17:50$-1
2.Candles17:25$-1
3.A Poison Tree11:49$-1
4.Spring Songs: I. Sarabande03:51$0.99
5.Spring Songs: (Interlude I)00:34$0.99
6.Spring Songs: II. In His Own Write02:18$0.99
7.Spring Songs: III. Music for the Hunt02:05$0.99
8.Spring Songs: (Entr'acte)01:29$0.99
9.Spring Songs: IV. Love-child03:27$0.99
10.Spring Songs: (Interlude II)01:28$0.99
11.Spring Songs: V. Song04:18$0.99
12.Spring Songs: (Postlude)00:37$0.99

Lucy Shelton/Soprano

One Sheet: 

Legend has it that some could see Lucifer himself guiding Niccolo Paganini's fingers over the neck of his violin when he performed. Judging by the evidence offered on this second of three discs from the Consort's Smithsonian season, Lucy Shelton might very well be receiving similar assistance from any number of less rebellious angels. Shelton has honed her supple, pellucid soprano to the point where it glides through even the most demanding passages with preternatural ease, making the two-time Walter W. Naumburg Award winner the perfect partner in the sublime for Washington D.C.'s storied 20th Century Consort. These recordings of far-too-rarely heard works by Joseph Schwantner, Gerald Chenoweth, Richard Wernick, and William Doppman mark the culmination of an ongoing 26-year collaboration between Shelton and the Consort, proving that practice does, in fact, make perfect. Still, a little angelic assistance never hurts. 

Reviews: 

GRAMOPHONE MAGAZINE

The breadth of this collection provides not just a showcase for her but a richly satisfying programme for the listener as well. Shelton is able to connect the dots, both literally on the page and musically between fundamentally different soundworlds. Contemporary vocal fireworks from a specialist in the field.

By Ken Smith