|Border TownsiTunes Artist's PageiTunes Album Page|
|1.||Border Towns: Silver City||04:05||$0.99|
|2.||Border Towns: Ambient||00:27||$0.99|
|3.||Border Towns: Jackman||05:00||$0.99|
|4.||Border Towns: Ambient||00:33||$0.99|
|5.||Border Towns: Tombstone||05:29||$0.99|
|6.||Border Towns: Ambient||00:28||$0.99|
|7.||Border Towns: Ocean Grove||06:28||$0.99|
|8.||Border Towns: Del Rio||03:50||$0.99|
|9.||Border Towns: Heart Butte||04:59||$0.99|
|10.||Border Towns: Ponemah||03:03||$0.99|
|11.||Border Towns: Chokoloskee||04:41||$0.99|
|12.||Border Towns: Columbus||05:27||$0.99|
|13.||Border Towns: Grand Isle||03:51||$0.99|
|14.||Border Towns: Jacumba||02:52||$0.99|
Composer Nick Brooke’s sweeping and epic Border Towns exists at its own kind of border: a place where chance meets meaning, where the detritus of popular culture meets the compositional process, where a chorus of seven voices meets chunks and fragments of familiar music, in the process becoming strange and revelatory. Border Towns is an encyclopedic mash-up of Americana, a collision of recordings from the geographical and psychological edges. Yodels, anthems, ambient sounds & fringe broadcasts are layered in perfect lockstep with singers, who meld their voices with a sampled collage of sound effects, songs, and musical ephemera.
Brooke’s suite (originally performed live as a stage version at HERE in New York) was inspired by the border blasters of the 1950s: giant radio transmitters placed just over the border in Mexico, beyond U.S. jurisdiction, with the intention of blasting culture directly into American homes. Far more powerful than U.S. stations, they often overwhelmed local stations as far north as Minnesota and New York City.
As the New York Times observed, “[Brooke] intricately mashes up a dense collection of familiar and obscure musical quotations along with commonplace noises to make a fascinating score.” Intertwined with a chorus of seven singers, the work moves in fits and starts in places before rising to towering crescendo then crashing into silence again. Each piece may be a fragment, but the whole is something altogether different, at once familiar and alien, and an intriguing exploration of musical Americana from the 1940s to the present.
CLASSICAL MODERN MUSIC REVIEW
“[Border Towns] becomes most remarkable when the fragments blend together to create new music altogether, where you no longer hear the snippets as fragments, but as a whole, unified work that proceeds from A to B like a conventionally composed piece. It's remarkable music.” [FULL ARTICLE]
"[I]mpressive and confounding. Kitsch and irony brush elbows with homage. The grating sound of very old samples is paired with virtuoso performances. And the whole thing forms a complex musical web, with troubling microtonal moments and surprising juxtapositions." [FULL ARTICLE]