|Troubadour BlueiTunes Artist's PageiTunes Album Page|
|1.||10 Viola Duets: No. 1, Joy||02:19||$0.99|
|2.||10 Viola Duets: No. 2, Buzy Body||01:46||$0.99|
|3.||10 Viola Duets: No. 3, Hesitant||01:58||$0.99|
|4.||10 Viola Duets: No. 4, Augward and Dimented||01:49||$0.99|
|5.||10 Viola Duets: No. 5, Babble Battle||01:32||$0.99|
|6.||10 Viola Duets: No. 6, Sadness||03:50||$0.99|
|7.||10 Viola Duets: No. 7, Tom & Jerry||01:59||$0.99|
|8.||10 Viola Duets: No. 8, Accordionly||03:35||$0.99|
|9.||10 Viola Duets: No. 9, Crazy Chicken Dance||01:17||$0.99|
|10.||10 Viola Duets: No. 10, Ruby||03:19||$0.99|
|11.||From the Depths: I. Enter||04:07||$0.99|
|12.||From the Depths: II. A Reformed Movement||02:29||$0.99|
|13.||From the Depths: III. The Headlands||02:26||$0.99|
|14.||From the Depths: IV. Deflation||03:39||$0.99|
|16.||Suite for Solo Cello: I. Prelude (Joy)||02:19||$0.99|
|17.||Suite for Solo Cello: II. Courante||03:33||$0.99|
|18.||Suite for Solo Cello: III. Gig||02:01||$0.99|
|19.||Suite for Solo Cello: IV. Edna Baras||02:25||$0.99|
|20.||Suite for Solo Cello: V. Allegro||03:48||$0.99|
Nils Bultmann wears a lot of hats: violist, improviser, composer, collaborator. But Bultmann’s innova Recordings debut, Troubadour Blue, reveals that he’s been hard at work stitching all those hats together into one big enough to encompass all of his diverse interests. Falling into a luminous space between through-composition and improvisation, the music here proudly shows its roots in process.
“Ten Viola Duets” evolved organically over years, built from bits and pieces of solo improvisations and drawn out from sketches into complete works. Working with Kronos Quartet violist Hank Dutt helped Bultmann solidify and complete the collection of pieces.
Elsewhere, Bultmann explores the timbral relationship between the viola and the didjeridu in “From the Depths,” a multi-movement work honed from improvisational duets. For “Lucid,” Bultmann blends improvised material into a more structured piece in a work that he would frequently use to open up concerts as a way of arriving at the instruments and connecting with the audience. The album closes with “Suite for Solo Cello,” performed by Parry Karp and based on Bach’s “Cello Suite #1 in G Major,” a work that Bultmann calls a “foundational pillar of [his] musical life.”
Throughout, the pieces on Troubadour Blue share a peripatetic spirit, a desire to wander and explore, to be happy in the journey but also sure of a destination. By working with others, Bultmann expands his sense of his own work and in turn brings forth music that is open, warm-hearted and generous.