|Wild SongsiTunes Artist's PageiTunes Album Page|
|1.||Wild Songs: No. 1. The Last Roundup||03:28||$0.99|
|2.||Wild Songs: No. 2. Rattle the Cage - Bend the Bars||07:51||$0.99|
|3.||Wild Songs: No. 3. Wild Mercy||03:25||$0.99|
|4.||4 Dickinson Songs: No. 1. Will There Really Be A Morning?||01:45||$0.99|
|5.||4 Dickinson Songs: No. 2. I'm Nobody||02:08||$0.99|
|6.||4 Dickinson Songs: No. 3. She Died||02:10||$0.99|
|7.||4 Dickinson Songs: No. 4. If I …||02:19||$0.99|
|8.||3 Graces for Hildur: No. 1. It's all I have to bring today||01:58||$0.99|
|9.||3 Graces for Hildur: No. 2. Ample make this Bed||02:04||$0.99|
|10.||3 Graces for Hildur: No. 3. The earth has many keys||02:15||$0.99|
|12.||Is Everybody Else Alright?||02:01||$0.99|
Contemporary art song is alive and well in the hands of soprano Polly Butler Cornelius and the team she has gathered for Wild Songs; a song recital as suitable for an environmental consciousness-raising event as for the salon. Drawing on impassioned pleas and the enigmatic nature-centered poetry of Emily Dickinson these powerful, lyrical songs charm and chasten.
Steve Heitzeg’s Wild Songs — a set of three pieces on environmental themes on texts by Rachel Carson, Dr. Jane Goodall and Terry Tempest Williams — starts the recital on an urgent note. Cornelius is joined for these colorful songs by Zeitgeist members Heather Barringer and Patti Cudd on percussion instruments such as the jawbone of a Beluga whale, packages of organic seeds, and a Yupik frame drum. Not to be left out, bonobos (albeit pre-recorded ones) join the mix for the final song, a plea to preserve natural wilderness areas.
Heitzeg’s other songs on the album set texts from Corinthians, Aeschylus and Robert F. Kennedy, whose dying words, “Is everybody else alright?” epitomize the selflessness and compassion at the center of this glowing program. The other songs, by the Emmy-award winning Heitzeg and art-song champion Lori Laitman, set poetry of Emily Dickinson, whose concise emotional gems fly easily off the page into the heart. One set, Three Graces for Hildur, was commissioned by Jack and Linda Hoeschler in honor of her mother; a fitting tribute.
Dr. Polly Butler Cornelius teaches at Elon University in North Carolina. She is no stranger to the international stage and performs frequently in Italy and at major venues across the US. She is in demand as a soloist for opera, oratorio and song recitals, where she has carved a niche specializing in contemporary songs by Steve Heitzeg and Libby Larson among others. Her students can be found performing leading roles on Broadway, Off-Broadway, and on Glee.
Pianist Victoria Fischer Faw also teaches at Elon and pursues an international career from Greece to Belize while being a Bartok specialist.
GAPPLEGATE CLASSICAL-MODERN MUSIC REVIEW
“Polly Butler Cornelius fills the room with her soprano delivery … she is dramatic and dynamic in this recital and the song material is very much worth hearing.”
"For people who think back nostalgically to Schubert and his musical circle and marvel at the small, private pleasures they enjoyed, here is evidence that such musical society and magic exist today, and that living composers … write music that is similarly attentive to the intimate, hidden beauties implicit in the composing music for friends. … [T]he music and poetry together … is aligned as only art songs can be to the vibrations and moods of the time."
MUSIC WEB INTERNATIONAL
"The music is full of fascination and variety, and is by no means comparable to your typical rabble-rousing protest songs for the millions. With honest feelings and powerful sentiments expressed in sometimes forceful but more often poetic and restrained fashion, these are works which lead their own environmental consciousness-raising life with considerable communicative depth. … Superbly recorded and with all texts included in the booklet, this is a release with Innova’s usual high production values. Polly Butler Cornelius sings all of these songs with excellent expression and a depth of sincerity which comes from her extensive preparation and personal attachment to what she describes as 'these beautiful and intellectual songs.'" [FULL ARTICLE]