Pitch Black: Jacob TV

Description: 
Avant pop with ghetto blaster
Composers: 
Jacob TV
Jacob ter Veldhuis
Performers: 
Timothy McAllister
Zachary Shemon
Matthew Levy
Taimur Sullivan
PRISM Quartet
Catalog Number: 
#693
Genre: 
experimental
new music
Collection: 
PRISM
spoken word
saxophone
political
Location: 

Amsterdam, Netherlands

UPC: 
726708669324
Price: 
$15.00
Release Date: 
Apr 29, 2008
Liner Notes: 
View
Format: 
1 CD
Pitch BlackiTunes Artist's PageiTunes Album Page
Song TitleTimePrice
1.Pitch Black11:16$-1
2.Billie11:08$-1
3.Postnuclear Winterscenario No. 1011:42$-1
4.Grab it!09:44$0.99
5.The Garden of Love07:14$0.99
6.Jesus Is Coming09:21$0.99

Pitch Black: Jacob TV

One Sheet: 

The PRISM Quartet celebrates Dutch “avant pop” composer JacobTV (a.k.a. Jacob Ter Veldhuis, b. 1951) on their newest Innova disc. Scored for saxophone and ghettoblaster, the music on “Pitch Black” features spoken word by jazz icons Billie Holiday and Chet Baker, death row inmates, and religious fanatics in Times Square. TV started as a rock musician and studied composition and electronic music at the Groningen Conservatoire, where he was awarded the Dutch Composition Prize in 1980. Preoccupied with American media and apocalyptic moralism, he makes superb use of electronics in compositions that combine ex- plosive strength and raw energy with intricate architectural design.

The title track alludes to Chet Baker’s description of the prison cell he occupied in 1962. The saxophone quartet accompanies excerpts from an interview conducted shortly before his death. “Billie,” for alto saxophone and ghettoblaster, samples many interviews given by the singer and highlights the unusual mu- sicality of her everyday speech. The somber quartet “Postnuclear Winterscenario No.10” addresses “speechlessness about war and devastation.” In contrast, “Grab It!” is a fast- paced duet between tenor saxophone and ghettoblaster that explores profound emotional contrast among men on death row. “The Garden of Love,” for ghettoblaster and soprano sax, is composed around a reading of the poem by William Blake. The final track, “Jesus is Coming,” for saxophone quartet and ghet- toblaster, juxtaposes recordings of an angry street evangelist and a Salvation Army choir with rhythmic patterns based on baby talk.

“Pitch Black” forms the soundtrack to a multimedia production of the same name that PRISM developed with Philadelphia’s Miro Dance Theater. In this evening-length performance, the city’s energy and sounds, from traffic patterns to playground games, fuel a search for human connection amid the hustle. 

Reviews: 

SAXOPHONE JOURNAL

Pitch Black is a most unique CD. There is nothing else like it, anywhere. The Prism Quartet does a phenomenal job and this is one impressive group of saxophonists proving there are no limitations.

by Paul Wagner