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| Title |
Composer(s) |
Performer(s) |
Length |
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| The Old Woman of Haunted House |
Judson Fountain
|
Judson Fountain Sandor Weisberger Bill Apter
|
16:06 |
 |
| The Garbage Can From Thailand |
Judson Fountain
|
Judson Fountain Sandor Weisberger
|
6:33 |
 |
| Two Boys in a Haunted House |
Judson Fountain
|
Judson Fountain Sandor Weisberger James White
|
6:50 |
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| Granny, Sing No More! |
Judson Fountain
|
Judson Fountain Sandor Weisberger Kenneth Benjamin
|
6:24 |
 |
| Hallowe'en Night |
Judson Fountain
|
Judson Fountain Sandor Weisberger
|
6:52 |
 |
| My Next Door Neighbor, Is A Wicked Witch |
Judson Fountain
|
Judson Fountain Kenneth Benjamin Uncle Bill Adams Deborah Ashira
|
9:33 |
 |
| The Castle of Lo Sein |
Judson Fountain
|
Judson Fountain Sandor Weisberger
|
13:41 |
 |
| Captain Hale |
Judson Fountain
|
Judson Fountain Sandor Weisberger
|
4:33 |
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Produced by Irwin Chusid and Barbara Economon
Before TV captured the nation's attention, radio was the most popular
form of home entertainment. Nowadays that box offers mostly music,
news, and backtalk, but from the 1920s through the '40s, the airwaves
boasted drama, comedy, and murder mysteries. Judson Fountain (b.
1952) grew up after the heyday of classic radio theater, but as a
child heard vestiges of programs that had enthralled his parents. He
developed an obsession with suspense-filled shows like The Shadow,
Inner Sanctum, and Lights Out! While most Americans were evolving
into couch potatoes, Judson embraced radio as the superior theatrical
medium, and felt compelled to single-handedly revive the art. That he
lacked training, technology, skilled staff and a budget did not deter
him. Ed Wood, Jr. made movies; Judson produced radio dramas.
Judson was between 17 and 22 when he produced these extremely
primitive affairs. His simple, derivative plotlines employ Halloween
kitsch -- spooks, witches, haunted houses -- as vehicles in morality
plays about redemption for the honorable and damnation for
evil-doers. The original recordings were pressed on LPs (reportedly
about 200 copies of each). The jackets were hand-made, with grainy
xeroxes pasted on otherwise blank cardboard sleeves.
Innova Records is proud to present the first-ever collection of
Judson Fountain radio dramas on CD. And, like Judson's originals,
this will be a limited edition release, as part of Innova's heralded
"Short-Run" series.
Judson's work was characterized by cliché scripting, egregious ethnic
accents, and inept editing -- all seasoned with copious needle-drops
of creaking doors and howling wolves from the timeless Elektra Sound
Effects Library. But this extreme amateurishness and unwavering
sincerity synergize to great advantage in Fountain's theatricals.
There is charm in the clumsiness, and befuddled amusement in the
often-abrupt plot twists.
Over the past decade, Judson's recordings have circulated among
collectors of the bizarre, and in the process have attracted a cult
following (especially, it seems, among cartoonists). His LPs have
long delighted and bedeviled listeners of free-form radio funhouse
WFMU. Jackson Brian Griffith, former Pulse Senior Editor, once summed
up Judson's work: "Imagine paint-sniffers aiming for the Firesign
Theatre and hitting Plan 9 From Outer Space."
This is not an album for everyone. Nonetheless, we are confident that
Judson's artifacts will attract fans. These echoes of a bygone art
have an off-kilter perspective that in many ways is more entertaining
than any note-perfect, professional replica of the original form.
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I hate this guy and his work.
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by Byron Werner
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Innova intern
Radio killed the video star is how I sing that song.
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by Logan
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Innova customer
We are all taken with Judson Fountain's vision; his catch-phrases have invaded our conversation as predicted. So... are there more of these gems in the vault? Time for Volume II!
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by Eric
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Scram 19
Wow. These utterly retarded (yet compelling) homemade spooky
radio "drammers" were apparently actually aired by regional east coast
stations in the late sixties and early seventies. While the experience
of stumbling onto such lunacy on the airwaves can‚t be approximated by
finding it compiled on CD, this screwball vision is a delight in any
context. Every tale on the comp is a reductive morality play scripted
around young Fountain's specialty voices˜an incredibly irritating old
woman/witch, a mush-mouthed and seemingly senile gang boss, a
tough-as-nails gun moll obsessed with her own name, and old guys with
varying (horrible) Irish and Scotch accents. The simplistic, repetitive
plotting, recurring snatches of dialogue, casual xenophobia and broad
exposition have a weirdly rhythmic quality that will infect your brain
and leave you thinking like Fountain. "No one blows the whistle on Pop
Serriano!"
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by Kim Cooper
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Top 10 recordings (samsung.com)
Brilliantly out-there outsider radio-dramas from 1969-74 —not for everybody, but I dig it!
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by Matt Groening
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