Red Rain
Red Rain
New York, NY
- Wow!!! Maybe the first time a conductor bowing on the knees to a soloist, hopefully not the last timeđ t.co/rhKHJj9HEX
- Awesome to sing FLOW w/ #EnsembleFIRE to cheer Lunar New Year & reopening of Chinatown Lunar NY Fair, co-hosted by⊠t.co/CGMJgvbfqI
- After performances in Turkey, China, and Canada, FOLK SONGS FOR ORCHESTRA will next be back to the US performed by⊠t.co/ppFfMnwZu4
- Finally unveil this exquisite concert âA Moonlit Night on the Spring Riverâ (4/12), which I curate and led as part⊠t.co/iup8xBI8fF
Red RainiTunes Album Page | |||
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Song Title | Time | Price | |
1. | 4 Fragments (Version for Cello) | 13:40 | |
2. | Red Rain | 10:49 | |
3. | Shifting Shades: I. â | 04:02 | $0.99 |
4. | Shifting Shades: II. â | 06:00 | $0.99 |
5. | Shifting Shades: III. â | 03:18 | $0.99 |
6. | Tree Without Wind | 13:57 | |
7. | 3 Pieces for Piano: No. 1, Prelude. Diffluent | 03:49 | $0.99 |
8. | 3 Pieces for Piano: No. 2, Postlude. Left | 04:10 | $0.99 |
9. | 3 Pieces for Piano: No. 3, Interlude. Points & Lines | 05:09 | $0.99 |
10. | Wind Blows⊠(Version for Cello & Piano) | 07:05 | $0.99 |
Red Rain, a collection of solo instrumental works by Huang Ruo, offers an in-depth portrait of a composer who has made significant marks across all genres of art music. These pieces display a creative and inventive variety of colors, timbres, and musical poetry for single instruments that echo his chamber, orchestral and operatic works. Huang Ruo draws on diverse sources of inspiration to create a unique, fascinating, and timeless artistic voice.
These pieces explore vast, echoing musical spaces: spiky, driving rhythmic drama; singing and nostalgic melodies; and everything in between. The solo cello work âFour Fragmentsâ moves through memory, time and space, and Soo Bae makes full use of the celloâs expressive range. The title piece âRed Rainâ is inspired by the painting on the cover by Jaune Quick-to-see Smith, and Emanuele Arciuli captures the transforming, dreaming, metamorphosing mood with sensitivity and beauty.Â
âTree Without Wind,â based on a Buddhist fable, exists in a vast, open space that gradually fills with tremendous gestures and culminates with the chiming of colossal bells. The âThree Pieces for Pianoâ couldnât be more different from each other -- âDiffluentâ violently crashes through fractured rhythmic shifts, âLeftâ is a soulfully fragmented song for the left hand alone, and âPoints and Linesâ presents a traditional form with fierce originality. âShifting Shadesâ transforms another piece, âDrama Theater No. 2,â for solo piano with additional instruments like a police whistle, beer bottles, and sheets of paper, expanding the sonic range of the piano. Stephen Buck finds the whole range of expression in these works. Finally, in âWind Blows,â Huang Ruo and Arash Amini capture the mood of a vast, open plain, across which the listener hears a floating, wistful, nostalgic melody.
Recently awarded First Prize by the prestigious Luxembourg International Composition Prize, Huang Ruo has been cited by the New Yorker as âone of the most intriguing of the new crop of Asian-American composers.â His vibrant and inventive musical voice draws equal inspiration from Chinese folk, Western avant-garde, rock, and jazz to create a seamless, organic integration using a compositional technique he calls âdimensionalism.â Huang Ruoâs writing spans from orchestra, chamber music, opera, theater, and modern dance, to sound installation, multi-media, experimental improvisation, folk rock, and film. Â
In this CD Innova we have the opportunity to listen to a selection of songs for solo instrument of one of the most exciting young American composers, Huang Ruo . To Ruo it is a very personal language, not always immediately enjoyable, but always intense and communicative. Steps from like-improvisatory character alternate with pressing, delicate melodic inserts rhythmic sequences that willingly draw on Chinese folklore (light source legacy Author) give way to powerful chordal masses: all according to an inner logic, which uses even the pauses and silences to deploy unpredictable way links. Writing Ruo very asks soloists - pianists Emanuel Arciuli and Stephen Buck , cellist Soo Bae - who are called to use every element of his instrument. Even more complex is the challenge to the expressive level, that Our collect and exceed with great sensitivity and skill. -Kathodik