Apti

JAZZ TIMES
"Rudresh Mahanthappa is boldly breaking some exciting new ground while going all the way back to his Indian roots."

THE NEW YORKER
"Mahanthappa displays a visceral tone and a grab-you-by-the-collar attack that dares the listener to turn away. A talent to keep a steady eye on."

ALL ABOUT JAZZ
"Mahanthappa's chops are practically unparalleled, making music unlike anything else in the city today. This kind of elevation and refinement is not simply a cut above the norm; it arguably redefines the norm."

NEW YORK TIMES
"Indo-Pak Coalition, a trio equally grounded in folk tradition and jazz improvisation, proposes a social pact as well a musical ideal. The group’s name is partly self-descriptive — the alto saxophonist Rudresh Mahanthappa is of Indian descent, while the guitarist Rez Abbasi was born in Pakistan — but it also carries an underlying message made all the more painfully relevant by events like the recent terrorist attacks in Mumbai.
     "Of course it might feel naïve or presumptuous for any musician to propose answers to such entrenched and complicated problems. That could be one reason politics never came up once during Indo-Pak Coalition’s performance on Tuesday night at Le Poisson Rouge. As the leader and spokesman, Mr. Mahanthappa kept his tone cordial, entrusting the music to make its own case for deeper accord.
     "Indo-Pak Coalition has a rewarding new album, Apti (Innova), featuring Mr. Mahanthappa’s compositions. Here the group opened with 'IIT,' one of several pieces involving a dartlike melody over a rhythmic drone. Mr. Mahanthappa packed his solo with jagged yet fluent phrases, and Mr. Abbasi assumed a central role, dexterously shifting from single notes to arpeggios to full-voiced chords.
     "Mr. Mahanthappa and Mr. Abbasi both grew up in the United States, as did the group’s tabla player, Dan Weiss. To a considerable extent they all approach the music of the subcontinent as self-conscious outsiders.
     "The set’s centerpiece was something called 'Looking Out, Looking In,' and it bore DNA traces of the great Indian jazz-fusion group Shakti. But elsewhere pains were taken to avoid old hybrids. The most jazzlike harmonic sequence arrived in Mr. Mahanthappa’s version of 'Vandanaa Trayee,' by Ravi Shankar.
     "Indo-Pak Coalition isn’t the only such endeavor for these musicians: Mr. Mahanthappa made one of the year’s best jazz albums with a looser group called Kinsmen, and Mr. Weiss recently released an adaptation of tabla repertory for drum set. This weekend Mr. Abbasi will introduce a group he calls R.O.C. — the letters wonkishly stand for Realities of Chromaticism — featuring his Indo-Pak colleagues, among others.
     "What distinguishes this group is its intimate scale, along with the equilateral bond of its members. Well before their closer, a fast-chattering tune called 'You Talk Too Much,' the musicians had illustrated the sturdy elasticity of their alliance."
—Nate Chinen

LOUISVILLE MUSIC NEWS
"Alto saxophonist Rudresh Mahanthappa has recently released two recordings in which he successfully strives to synthesize his musical jazz roots and his cultural Indian heritage. He grew up in Boulder Colorado, the son of Indian immigrants, but did not develop his affinity for classical Indian music until college.
     "Of the two releases here, only the leader and guitarist Rez Abassi appear on both. Kinsmenspotlights Indian classical musician Kadri Gopalnath, also on alto sax, plus violin, bass, percussion and drums. Many of the compositions flow into one another, with several solo segments ('alaps') leading into the ensemble performances. The result is an album which transports the raga into an East/West blend of virtuosity.
     "On Apti, Mahanthappa and Abassi (who also plays sitar-guitar here) are joined by tabla player Dan Weiss. In this stripped-down format, both sax and guitar are given more solo space, with the melodic percussiveness of the tabla frequently functioning as both 'bass' and drums. To my ears, this CD has more of an overt jazz flavor than Kinsmen.
     "The fusion of jazz and Indian concepts is not new, of course; John McLaughlin's various incarnations of Shakti come immediately to mind, as does Charles Lloyd's 2005 release, Sangam. Mahanthappa's skills at both composition and performance catapult him into this company, and augur well for his future."
—Martin Z. Kasdan Jr

POP MATTERS
"It is becoming exhausting to keep up with the flowering career of Rudresh Mahanthappa, an American alto saxophonist.  As a trio, this group is less about texture and more about the individual players and the interaction of their individual lines. As a result, each choice made by the players from moment to moment subtly alters the balance being struck by the music. Mahanthappa’s compositions wed the precision and intricacy of Indian music with the harmonic form and structure of jazz. The written themes pop and dance like they were melodies from old Blue Note albums—with stops and starts and plenty of excitement—but often using the signature phrasing of Indian music in the process. When Mahanthappa solos on 'Apti,' he sounds like Jackie McLean as as often as he does like Gopalnath."
—Will Layman

ALL ABOUT JAZZ
"Mahanthappa's horn sound is one of the more recognizable in jazz. On his work with Iyer, and on Codebook and Mother Tongue, it had a stinging-insect-trapped-under-a-glass intensity, full of joyfully furious, devil-may-care forward momentum."
—Dan McClenaghan

GAPPLEGATE MUSIC REVIEW
"Apti takes Indo-Pak-jazz-fusion onto very personal turf in ways that are exhilarating and filled with musical abundance. It is awe-inspiring music."
—Greg Edwards

PSYCHEMUSIC
"[T]his trio reinvents jazz and Indian music at the same time; this truly is a new blend." [FULL ARTICLE]
—Gerald Van Waes