Fun With Sounds & Patterns
Fun With Sounds & Patterns
Austin, TX
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This Saturday, I'll be playing my score live for Horse: the Solos for the first time with Cullberg Dance. I play my… t.co/kApdmEKGqu
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The Keys to the City! Thank you to @MayorAdler for the honor and to my amazing family and friends for their suppor… t.co/WG7P2mNpZd
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I've been listening to El Dusty for years. I've seen him at SX and listened to his various collaborations (includin… t.co/LqgcYMPX7d
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Had an amazing night at the Contemporary Art Dinner this last weekend! Thank you to Danielle, Sharon, Teresa and th… t.co/nElm1T4gnl
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It's almost that time to Ruin the Holidays! We're bringing another ten piece band with special guests Stefano Intel… t.co/DucQ2HsKi4
| Fun With Sounds & PatternsiTunes Artist's PageiTunes Album Page | |||
|---|---|---|---|
| Song Title | Time | Price | |
| 1. | Damage | 05:47 | $0.99 |
| 2. | Alluvial Plains | 06:02 | $0.99 |
| 3. | Hello, Nancarrow | 04:29 | $0.99 |
| 4. | Heroles | 05:10 | $0.99 |
| 5. | A Pale Red Dot | 07:55 | $0.99 |
| 6. | Brat Pack | 05:12 | $0.99 |
| 7. | Quiet | 05:26 | $0.99 |
When a composer uses sounds that are generated from inside the computer, as opposed to recording live sounds or instruments, this is called working “inside the box”. While doing his film scoring work, Reynolds has amassed an arsenal of fun computer software sound generating toys that he had rarely used to create his more personal compositions. For “Fun with Sounds and Patterns” Graham let loose with these virtual instruments, samples, and effects.
In addition to the “inside the box” sounds, Reynolds mangled and manipulated recordings he had made during sound hunts in Austin and Mexico City, as well as sound design elements from theater work. Without abandoning melodies or overt structures entirely, Reynolds has created a boisterous, compelling, and joyful noise-based sonic world.
Produced and Composed by Graham Reynolds
Co-Produced by Buzz Moran and Jon Fielder
Recorded in Coyoacán, Mexico City, Mexico
Mixed and Mastered at Red House Studio, Austin, TX
Additional thanks to the sound designers, recordists and programmers at Spectrasonics,
Audio Damage, ValhallaDSP, Native Instruments, Boom Library, Heavyocity,
Alex Hilton A1 Audio, TDR Nova, and Reaper
Cover Design by Buzz Moran
