The Tick-Tock Club
The Tick-Tock Club
Austin, TX
-
How does peanut farming relate to Africa's griot tradition? What would the mathematics of space flight *sound* like… t.co/JNa2PIyfQd
-
Thanks @PopMatters for the plug! t.co/6YHSa1KOuz
- 3 weeks 1 day ago.
- 3 weeks 5 days ago.
- 1 month 1 week ago.
- 1 month 1 week ago.
- 1 month 3 weeks ago.
| The Tick-Tock ClubiTunes Artist's PageiTunes Album Page | |||
|---|---|---|---|
| Song Title | Time | Price | |
| 1. | Dmitri Dmitryevich | 01:14 | $0.99 |
| 2. | The Tick-Tock Club | 03:10 | $0.99 |
| 3. | The End of Speedy Jinx | 03:09 | $0.99 |
| 4. | 20 Million Ways to Die in Chicago | 02:45 | $0.99 |
| 5. | He Lies like an Eyewitness | 02:27 | $0.99 |
| 6. | Disco | 04:31 | $0.99 |
| 7. | Eventide | 01:27 | $0.99 |
| 8. | The Duchess of Parma | 04:16 | $0.99 |
| 9. | Greyhound | 02:51 | $0.99 |
| 10. | Cosimo Matassa | 01:30 | $0.99 |
| 11. | Bulldoze (The Super-Power Dance) | 04:06 | $0.99 |
| 12. | Dsch | 06:37 | $0.99 |
Part movie soundtrack, part crime jazz, part classical tribute, part boisterous rock & roll, The Tick-Tock Club is easily the most ambitious of the Golden Arm Trio's three releases and its first in six years. It might initially sound like a hodgepodge, but GAT ringmaster Graham Reynolds and his revolving ATX ensemble have interwoven various streams and motifs that return in different guises. One theme appears as an orchestral piece in "The End of Speedy Jinx" and later as a Raymond Scott cartoon romp on "Disco." Likewise, the frenetic, horn-driven title track reappears as a cello/piano sonata on "Greyhound." The album bookends nicely with two different reflections on Reynolds' tribute to Shostakovich, one as minimalism, the other florally orchestral. The footloose spirit of rock & roll ties it altogether into a messy but delectable whole. -Austin Chronicle
Much of the album is imbued with the same frenetic energy, although tracks such as He Likes An Eyewitness provide an effective counterweight, rich in quiet menace with a simple, brooding melody and rain-on-concrete soundscape. Similarly, the downbeat opener, Dmitri Dmitryevich, exudes a feeling of sinister melancholy, as if Peter Lorre had been reincarnated as a pair of double basses with a hint of synth undertone. -BBC
Graham Reynolds and the Golden Arm Trio
The Tick-Tock Club
Produced by Graham Reynolds
Co-Produced by Buzz Moran
Music Composed by Graham Reynolds
Recorded by Graham Reynolds with Buzz Moran.
Recorded at Red House Studio, Austin, Texas.
Mastered by Russ Smith at Chocolate Media
Cover art and Layout by Buzz Moran
MUSICIANS:
Jonathan Dexter-cello; Bruce Colson, Caroline Slack, Joseph Shuffield-violin; Jason Elinoff, Michalis Koutsoupides-viola, Jessica Gilliam-Valls, Erik Grostic, Lindsay Greene-upright bass; Paul Klemperer, Thad Scott, David Chenu-saxes; Brian Shaw, Mike Hoffer-trumpet; Jerome Smith, Wayne Myers, Mike Hoffer: trombone; Josh Robins. Aaryn Russell, Adam Sultan-guitars; Naomi Seidman-flute, Leigh Ann Woodard-oboe, Chuck Fischer-vibes; Buzz Moran-Percussion; Graham Reynolds-piano. drums and misc.
